Monday, September 30, 2019

Who are Tuba Skinny? (& y u need 2 hear them)

Rarely in America does a musical act cause you to rethink music, to appreciate music in a new way. As a kid, I recall thinking this about the Beatles: Everything felt so new. I had a similar feeling listening to Tuba Skinny. Perhaps “America’s Best Busking (street musicians) Band,” Tuba Skinny evokes a newness in each tune they play; you don’t know what to expect. But it all sounds pleasant, a “happy-to-be-alive” feeling, as denoted by everyone (including toddlers) tapping their feet. One cannot help but dance. 

But who are Tuba Skinny & why are they so important? Tuba Skinny was founded in 2009 in New Orleans in the wake of Hurricane Katrina. They were all products of the Musician’s Village founded as part of the rebuilding effort of Nola. Imagine eight talented musicians, wunderkids if you will, forming a band with music all around them. Such a model environment should foster great music and it did, although not in the traditional manner, but a traditional (old school) jazz manner, a seemingly odd (and risky) musical direction to take. 

Tuba Skinny went back to the roots of jazz, busking as musicians in the street. They learned in the streets and, most importantly, took us away from amplified sound. Come to think of it, why do we need amplified sound? Why does the music I hear today have to be electric? The first time you hear Tuba Skinny you will realize that electronic music hides several nuances that make music nice, such as countermelody, silence, and natural transitions. I can’t really put it into words, but it definitely feels different: It made me realize that such nuances were about to go extinct, until Tuba Skinny came along. 

Tuba Skinny consists of eight talented, multi-instrument, players of banjo, trombone, sax, clarinet, washboard, percussion, tuba, & acoustic guitar: A rather odd concoction, unless you’re in New Orleans (or Pismo Beach). No one instrument dominates the band, they all seem to share an equal footing. Because of this democracy, it forces you to detect these differences. Tuba Skinny’s music is interactive, in that it forces you to listen more closely. This is not background music, you become part of the music (via dancing). At the end of their tunes you seem happier than before. 

Another angle on Tuba Skinny is that if you take away all of the electronic effects on a band, then their true musicality shines through. These musicians are all extremely talented, the fact that they humble themselves for the good of the team denotes their dedication to music, for the good of music. You won’t find the brash soloist proclaiming “look at me, I’m a star,” perhaps the curse of modern jazz (apres Satchmo). No, this band is more about, “look how WE can solo together.” This, to me, is refreshing: Whatever makes the music sound best. I go to hear a band, not one person in that band...it is a collective sound I am paying to see. Tuba Skinny is all about sharing.

Why have you not heard of Tuba Skinny? First, this may have to do with their busking nature. Every performance is live, as buskers aren’t into music studios (& their canned effects). The busker lives off of what they play live. There is no room for bad days, poor performances, and non-crowd pleasing tunes. Else, you may not get paid. Second, the manner in which their music diffused was entirely grassroots. People started recording them and posted these live busking videos to YouTube. They have never done a glitzy music video and they have several albums, but their following was almost completely generated as a viral YouTube busking sensation. Hence, while an old-school band, their publicity is 21st Century. Then again, maybe some of you HBO subscribers may recognize Tuba Skinny from 2012’s  “The Treme.” Here’s a good 2-minute clip from that show that depicts the essence of Tuba Skinny. Check it out if you can, it will give you a sense of what I am talking about here: https://youtu.be/vzcHeb1lJcY

What else is different about Tuba Skinny? They compose their own tunes, recreate old ones in a new way, and certainly don’t need sheet music. I always hate it when I go to see a band play behind music stands, that’s not professional, why am I paying for this? Tuba Skinny can really go in any direction and many of them will play multiple instruments during a tune. Every tune sounds different each time they play it, as they rely on collective improvisation, another dying musical art form. They trade fours a lot between instruments and play off each other. What great listeners they must be. And perhaps this is what Tuba Skinny really teaches us: How to listen. 

Where can we hear Tuba Skinny on the Central Coast? Actually this is the easy part. The short answer is there will be seven sets from October 24th-27th as part of Pismo and Arroyo Grande’s 43rd Jazz Jubilee By the Sea. We are having a special preview performance at the SLO Farmers Market on Thursday, October 24th. This is a free busking show hosted by SLO Farmers Market Faves, the Crustacea Jazz Band. Thanks to the SLO Community Foundation for making this possible.  So just show up to the SLO Farmer’s Market on Thursday, October 24, at around 6 pm, and listen for the buskers. The other, more focused, way to hear Tuba Skinny is at various Pismo Beach & Arroyo Grande venues on Friday through Sunday, October 25-27th, where you have your choice of six shows at five venues, to suit your own schedule. Prices are reasonable and flexible (e.g., day passes) and you can really get a good live listen at one of our five 100-400 capacity venues (go to pismojazz.com for more info). If the Thursday Farmer’s Market show in SLO is rained out, we will make arrangements on Sunday, October 27th, to place Tuba Skinny in Pismo Beach. This is another free concert, thanks to generous donations from the cities of Pismo Beach, Arroyo Grande, & Community Foundations, as well as local Patrons of Pismo’s Basin Street Regulars non-profit jazz club. 

Please try to catch Tuba Skinny at one of their shows. Especially take the kids to see Tuba Skinny, as they may have never heard this type of music before. We have a special price for young people at our festival, only $30 for young people 30 years old or less. (Children under 12 free). These badges will only be available at the door. This is only Tuba Skinny’s 2nd West Coast appearance. They previously appeared at 2016’s California World Fest in Grass Valley, CA...about 60 miles east of Sac (one can consider it Cal-Neva & hence, not coastal). We don’t anticipate them coming back soon, as they operate out of New Orleans. But this year the Jubilee By the Sea has a treat, sure to tap your feet. Tuba Skinny: We can’t wait!

How Big is Tuba Skinny (on the Internet)?

I heard that Tuba Skinny had a big following over the Internet. I figured I’d see how big this following actually is by examining hit rates on YouTube. So I searched for Tuba Skinny on YouTube &  found their first 15 tunes that had over 100,000 views. There were countless more past that. Here are the sample results I came up with:

Tuba Skinny Video (date posted): #YouTube Hits
@ Louisiana Music Factory (2019): 239,000
Gimme Some (4 months ago): 143,000
TFull Set @ Jazz Au Sources (2018): 207,000
Plays Going Back Home (2017): 2,500,000
The Tuba Skinny Jazz Band (2017): 1,200,000
Plays Some of These Days (2012): 712,000
Postage Stomp (6 months ago): 450,000
@ Duke Heitger (2017): 260,000
Plays Yes Sir That's My Baby (2012): 1,400,000
Jubilee Stomp II (2018): 1,700,000
In Concert - Live Music (2013): 541,000
I Get the Blues (2013): 2,400,000
What's the Matter w/ the Mill (2013): 911,000
Jubilee Stomp I (2018): 1,100,000
Jackson Stomp (2013): 1,700,000
15 Tuba Skinny YouTube Videos: 15,463,000

The result is over 15 Million hits for their top 15 videos. That’s over a million hits, on average, for each video. That’s stratospheric in the world of traditional jazz, in a hit rate league of their own. These kids are the trad jazz poster children. Moreover, these aren’t all just single tunes, but some hour long sets. Some are in France, most on the street in New Orleans. They are not necessarily the most professional videos. Some are over the past few months and it is amazing to see them this popular so fast. In hit-rate comparison, the most famous trad jazz bands have one or two tunes with over 100 Thousand Views. Tuba Skinny has no rivals, they have 15 tunes/sets with over 1 Million Views: That’s a lot of gold YouTube videos. They are the Beatles of the trad jazz world.

Sunday, September 29, 2019

Shake Em Up Jazz Band: Nola Gals Rock Central Coast

The Shake Em Up Jazz Band is another New Orleans band featured at this year’s Jubilee. Last year we introduced them to the Jubilee...and the crowd wants more! Back by popular demand, this talented group of musicians will surely “shake you up” with jazz standards & their own compositions. 

This uniquely multi-talented band features clarinet/sax/vocalist, Chloe Feoranzo: It seems that Chloe can do it all (& well, a regular clarinet dynamo). She is featured in other Jubilee special sets as well. Central Coast’s own Molly Reeves jams on guitar/vocals. Molly was a multiple trad jazz scholarship recipient of our jazz club. You may remember her old group, Red Skunk. Now she’s a professional New Orleans musician. We’re like proud trad jazz parents. Haruka Kikuchi really represents on trombone. Always a crowd favorite, she is again featured with other all-stars at this year’s festival. Marla Dixon blares on trumpet, denoting her British Drum Corps background. Julie Schexnayder womans the bass & sings. Defne “Izzy” Incirlioglu is on various percussion, rounding out this talented all-female, you go-girl, New Orleans traditional jazz band. 
The Shake Em Up Jazz Band shakes up traditional jazz gender boundaries, as well as your hips. Close your eyes, how can you tell they’re female? Woman musicians at this year’s Jubilee by the Sea comprise 22% of our band personnel, far exceeding festival norms. This is something we are proud of, as women were well-represented in early jazz, such as Bessie Smith, Ma Rainey, Sophie Tucker, & Lillian Hardin. There will be several special sets at this year’s jubilee helping illustrate this story: (1) Women Composers, by the aforementioned Shake Em Up Jazz Band; (2) Women in the Blues by The Creole Syncopators’ Valerie Johnson, previously of Big Brother & the Holding Company: Valerie can sing dem blues!; (3) Sue Palmer & Her (Mostly-Female) Motel Swing Band, Swingin’ w/ the Ladies; & (4) Pat Yankee & Her All-Stars, with her Tribute to Louis Armstrong: This should be a big hit. 

Professor Cunningham & His Old School Play Jubilee After World Tour

It may sound like a Bugs Bunny episode, but the Professor and His Old School plan to end up in Pismo Beach...let’s just hope they take a left at Albuquerque. The Professor and his crew are currently playing in Istanbul, Turkey. Maybe the Professor will be like fellow sax player Paul Desmond & write an odd-meter Turkish-inspired jazz tune (& have it be the greatest selling jazz single of all time, like “Take Five,” by the Dave Brubeck Quintet). But then it’s off to Poland, Vietnam, & back to Germany. Finally back in the States, the Professor & His Old School will be in fine spirits by the time they traverse the world to play at our Jubilee. No doubt they will appreciate the serenity of the Central Coast & put on some awesome shows. Because then it’s off to SF, back home to NYC, then Greece & Paris for the New Year. The Professor & His (Award-Winning) Old School are busy globetrotting around the world. It is nice that they show up to our friendly little Jubilee. If you’re interested in touring with a band, these guys would know: Very friendly people, you wouldn’t think they were from New York City.  

Saturday, September 28, 2019

Australian Jazz Connection Makes Debut Splash at Jubilee By the Sea

Considered the “down under jazz all-star team,” the Australian Jazz Connection makes their US debut on the Central Coast October 25th-27th. It’s kind of like Louis Armstrong & His All-Stars, with leader Paul Ingle providing a kangaroo twist on trombone. This is the first time this band has played together and it should be an impactful event. Their debut performance is Friday at 12:40pm in the Addie Street Tent. You will want to say you were there. The group also has a set dedicated to Australian Jazz, something that started around WWI & flourished during WWII. It is a different form of jazz, one that calls forth bush and outback tunes. This is one of the first acts to export this sound to the US. Because they are all stars, this makes for a great show. For this unique “Aussie Jazz” set they are joined by Fellow Aussie, now best alto sax in NYC, Professor Adrain Cunningham.. This should be a resounding boomerang reunion...like kangaroo to joey: Vegemite sandwiches optional. So make sure to see to The Australian Jazz Connection, this is a rare treat combining stellar musicians with a new sound, debuting on the Central Coast. 

Cornet Chop Suey Dedicates Festival to Pianist & Basin Street Regular Paul Reid

Cornet Chop Suey has extra reason to play some heartfelt jazz. This will be their first year playing without their beloved stride pianist these past 18 years, Paul Reid, who unexpectedly passed this past year. CCC Bandleader Brian Casserly admits that this year will be tough, but Paul would have wanted the music to go on. We all have vivid memories of Paul, (http://cornetchopsuey.com/paul-reid.html). Whenever he would jam at our Sunday Session, he would turn his music book around & play by feel and memory. Paul would sing any song we asked of him, often inserting his own clever lyrics. Paul was a tour de force in the musical universe, he could do it all. Of course Paul’s music lives on, as denoted by his many recordings. Personally, I will miss his creativity and innovative solos, he would always fill in when needed. We were lucky to record his words at last year’s Jubilee in both “The Future of Trad Jazz” & “Jubilee History” Roundtable discussions. Paul spoke prophetically of a resurgence in trad jazz, with Tuba Skinny he may be on the right track. Check out his predictions via our Web Page at pismojazz.com. And make sure to check out Cornet Chop Suey at this Year’s Jubilee, it will be a guaranteed hit: Paul Reid will make sure of it.

Friday, September 27, 2019

Trad Jazz Public Domain Sheet Music Seminar

This free seminar explores the copyright expiration dates for traditional jazz music. The 95-year expiration sets several prominent early jazz compositions free for public use (after a 20-year delay). What does this mean? Free sheet music. Mathematically speaking, 2019 - 95 = 1923, thus we first explore 1923-composed tunes and then the years 1924-27. What tunes are & will be available for free? It is posited that this timing places trad jazz music at the forefront of unanticipated media attention. These tunes will be played because they are free (and catchy). These are the earliest electrical recordings and hence the first mass produced melodies. What does this mean toward a resurgence (or comeback) in trad jazz music? Participants are encouraged to bring their own sheet music and/or their favorite 1920s-composed tunes to add to a growing list of free public domain tunes. In the end, an information repository (website of .pdf parts) of public domain of trad jazz tunes is presented. Discussion covers how this site can be used in public schools, trad jazz camps, and other tactical areas of diffusion.